Sunday Safari - Puffin Island

Tom Eckersley

Woop Studios

Claude Kuhn

Kay Bojesen, 1954

Charley Harper

Patricia Drew, Spotter Puff, 1976, thanks to Hazel Terry

Abigail Brown

Sebastiano Ranchetti

Studio Tuesday, Puffin colony and Puffin at sea

Beethings

Geoff Waring

Jonathan Woodward

Year of the Cats

For the past six years, our studio Popdesign has produced a calendar 

featuring Sebastiano's animal art. The project started as a gift to family and friends, 

and evolved into a series of limited editions available in Italian and English versions. 

In the past we have explored different subjects, from dogs to birds and wildlife,

but our customers' perennial favorite, as you probably imagine, is cats. 

For the third year, the calendar has been featured as a giveaway on Modern Cat, 

a wonderful resource for cat owners with a taste for modern and innovative design.

There's still time to enter by leaving a comment here before January 2nd.

And if you decide to buy the calendar from our etsy shop, you'll receive three bonus prints!

I am very glad that this happens as we welcome our new pet Chapi, a very sick and homeless young cat 

which was rescued last Summer by our daughter Julia. When he first appeared at the campground

where she was staying, he was a smelly bag of bones with eyes half closed, missing teeth, a rough coat

 infested with fleas and mites and very little energy left. Although still suffering from a lingering cold

 and conjunctivitis, since he has been adopted Chapi has turned into a lovely cat with soft shiny fur,

 a nice healthy body and a great disposition. And now that he's stronger, it's time to move

 from a small city apartment to the country!

A Woman's Work

Woman and Siamese cat, 1952 

Eileen Mayo was a versatile English painter, printmaker, illustrator, writer, designer and calligrapher. 

I recently discovered her, and was fascinated by her talent, versatility and interestingly adventurous life.

Mayo worked with many different media, and her artworks and books were often centered on animals.

She was born in Norwich in 1906, and educated in Yorkshire and Bristol. After her father's death

 in 1921, her mother and two sisters emigrated to New Zealand, while she moved to London

 to study art at various schools, and was taught the art of linocutting by Claude Flight. 

Cats in the Trees, 1931

Mayo was penniless but very beautiful, and after struggling with extreme poverty 

she became a celebrated model for some of the most important artists of the day,

including Laura and Harold Knight, Dod Procter, Bernard Meninsky, Vanessa Bell 

and Duncan Grant. Here's a link to an interesting 1928 magazine article titled 

"Saved form Suicide; Snatched from an Existence Worse Than Death -

Starving, Friendless, Discouraged, Eileen Mayo Tells How She Battled With Despair 

and Suddenly Found Herself Surrounded With Prosperity and Fame, Her Portrait

the Center of Attraction in the Royal Academy Exhibition in London." 

The Children's Circus Book, 1934

From 1928 to 1938 Mayo took part in the British Linocuts exhibitions. As her reputation 

as a printmaker and illustrator increased, she found work as a freelance designer, and later

 held teaching positions at St. Martin's School of Art and Sir John Cass College in London.

In this period she also started illustrating and writing children's books.

Sheffy the squirrel, c.1941

Best Cat Stories, 1942 

One Day on Beetle Rock, 1946

 In 1936 Mayo married Dr Richard Gainsborough, and during World War II she helped him run his practice in Sussex 

while creating nearly 1,000 illustrations for her book The Story of Living Things and Their Evolution. 

After retiring from medicine her husband founded the magazine Art News and Review, 

and she designed its first issue in 1949.

Spread from The Story of Living Things and Their Evolution, c.1949

(click to view larger!)

The Nature Lover's Companion, 1950

Mayo's books on animals and nature also include Larger Animals of the Countryside, 

Shells and How They Live, and Nature's ABC.

After separating from her husband, in 1952 Mayo emigrated to Australia.  

Besides teaching at the National Art School in Sydney, she designed murals and

  tapestries, illustrated books, and wrote for Australian and English periodicals. 

She also created many beautiful stamp and poster designs depicting 

the unique flora and fauna of Australia. 

The Australian Commonwealth series of six postage stamps issued between 1959 and 1962

and featuring platypus, kangaroo, banded anteater, tiger cat, rabbit bandicoot and

 Tasmanian tiger, was awarded the Vizard-Wholohan Prize for prints in 1962. 

It was one of the earliest representations of Australian flora and fauna 

on stamps, and the first series to be designed by a woman. 

Black Swans, colored linocut

 In 1962 Mayo moved to New Zealand to be close to her family, and in 1965 she settled in Christchurch, 

where she continued to live until her death in 1994. She taught at the University of Canterbury until 1972, 

and worked for more than three years on an underwater diorama with Otago Museum.

 After being a founding member of Sydney Printmakers, she was on the Print Council of New Zealand, 

but it was only when she retired that she was able to buy a printing press and make prints full-time. 

After she started suffering from severe arthritis, Mayo turned to the easier medium of silkscreen prints,

 but in 1985 she was forced to stop. Days before her death, she was created a Dame of the British Empire.  

Humpback and Bottleneck screenprint, 1980

Many thanks to The Visual Telling of Stories for uploading its precious scans!