Streamlined Zoo

Henri Creuzevault, The Jungle Book binding, 1925

I am working on a lesson about the graphic design of the 1920s and 30s,

hence the inspiration for this elegant Art Deco menagerie.

For more designs from the era, you may take a tour here and there.

 Edward McKnight Kauffer, poster for the London Underground, 1923, 

thanks to Cabinet Magazine

Rembrandt Bugatti, Nubian Lion, ca.1910 

Jean Carlu, Aquarium de Monaco, 1926, thanks to Pignouf

Japanese sculpture, 1928, thanks to Paris Originals

 Edmund Bartlomiejczyk, 1929

Art Deco Llama made from Glass and silver, thanks to Lost Found

Dinner menu from the Orient Line Orion, 1937, thanks to Bonito Club

Fábrica de Loiça de Sacavém

 Japanese New Year's Card, 1932, thanks to Aqua-Velvet

Edouard-Marcel Sandoz

Ceramiche Rometti, Rondini, 1936

An Angel Fish from Penrose magazine, 1930,

thanks again to The Visual Telling of Stories

Mind Travel

Cruises to Every Land through Every Sea brochure, 1927

dreaming of salty air, sunny lands and wild life...

Raymond-Whitcomb steamship brochure, 1929

These two pieces come from the large archives of awesome ephemera at travelbrochuregraphics. Check out the great collection of modernist brochures featuring designs by the likes of Herbert Matter and Erberto Carboni.

unidentified design from my old collection of paper clippings

Australia poster by Gert Sellheim, 1937,

from the National Library of Australia Digital Collections

Portugal poster by Gustavo Fontoura, 1954

Air Afrique poster by Jacques Auriac, c.1965

from a beautiful Grain Edit post on 1950s-70s travel posters

Fly BOAC poster featuring puzzled Pakistani tigers

from Pignouf's huge vintage poster Picasa album

Swissair poster by Hugo Wetli, from Graphis Annual 1958-59

Air India poster by K.K. Save, from Graphis Annual 1962-63

Air France Chile poster by Nathan Garamond, from Graphis Annual 1963-64

Qantas Johannesburg airline sticker, from Illustration Today textbook 1963

Cover of Holiday magazine by George Giusti, from Graphis Annual 1966-67

this last series of five gorgeously colorful graphics comes from one of flickr's happier lands,

the wonderful collection of mid-century design and illustration by sandiv999

thank you everyone for all the happy travelling!

A Sparrow in the Soviet Storm

Vera Mikhailovna Ermolayeva (1893-1937) was a Russian painter, printmaker and illustrator. 

Her legs had been paralyzed since childhood, and she walked with the aid of crutches. 

After studying painting and archeology, in 1918 she established the artist collective Segodnya (Today) 

in Petrograd, which published small editions of children's books illustrated with hand tinted linocuts 

in the traditional lubok style.

Illustration for Petukh (Rooster) by Natan Vengrov, linocut with watercolor additions, 1918

Cover and illustration for Myshata by Natan Vengrov, linocut with watercolor additions, 1918

In 1919 Ermolayeva was chosen to replace Chagall as the rector of the Institute of Practical Arts in Vitebsk. 

She appointed Kazimir Malevich as head of the painting department, and with some of the school's students 

they formed the UNOVIS group. During this period she was strongly influenced by Malevich's ideas, and created

Suprematist designs for stage sets and wall paintings. In the early twenties Ermolayeva moved to Leningrad,

 where she worked at the Institute of Artistic Culture and the Art History Institute. In this period, 

she moved away from abstraction and started developing her personal style of figurative painting.

Illustration for the fairy-tale book Zaichik (Bunny), linocut, 1923

From 1923, she contributed to the first children's magazines Vorobey, Novy Robinzon and Chizh and Ezh, 

and in 1925 she started illustrating children's books for the state publishing house Gosizdat. These works 

reflect not only Ermolayeva's artistic skills and mastering of different techniques, but her strong sense 

of humor and joie de vivre. She published approximately twenty books with texts by leading poets 

like Daniil Kharms, Nikolay Zabolotsky, Alexander Vvedensky and others.

Illustration for Top-top-top by Nikolai Aseyev, 1925

Illustration for Krasnosheika by Nikolai Aseyev, 1927

Cover and illustration for Martyshka i Ochki (The monkey and the spectacles) by I.A.Krylov, 1929

Sketch for the cover of Kot Pamfil (Pamphil the Cat), watercolor on paper, 1928 (unpublished)

Cover and sketch for Rybaki (Fishermen) by Aleksander Vvedenskij, gouache on paper, 1930

In 1928 Ermolayeva went on a trip to the White Sea, and recorded her impressions in a series of gouaches.

 These works inspired Kharms and Vvedensij, who wrote children's books based on them.

Cover and illustrations for her own Sobachki (Little dogs), 1929

Cover and double spread for Ivan Ivanovich Samovar by Daniil Kharms,1929

Illustration for Reineke Fox (Reynard the fox) by Johann Goethe, 1930 (unpublished)

Regrettably, like many other members of the Russian avant-gardes, Ermolayeva became a victim 

of the Stalinist purges and her life had a tragic ending. In 1934 she was arrested with a group of other artists,

 possibly because of her satirical illustrations for Reineke Fox, or her brother's involvement with the Mansheviks.

 She was condemned to 5 years in a prison camp in Kazakhstan, from which she never returned. Some sources 

say that she was executed by shooting in 1937. On a personal note, while I always love researching the lives

 behind the artworks, I found Ermolayeva's story particularly interesting and moving. I now deeply admire 

this brave and independent woman and sensitive artist, who in spite of her physical impairment took 

a very active role in times of great changes, and was crushed by her fatal collision with the dark currents 

of history. I am not aware of any current editions of her children's books, but found two illustrated volumes

 about her work, both in Russian: Vera Ermolayeva by A.Zainchkovskaya, 2009, and the exhibition catalogue

Vera Ermolayeva, 1893-1937, published in 2008.